People, cattle, chickens flocked on green hilltops, cleared for town greens and fields. Teams of horses came up the dirt roads. Families collected sap buckets. I was looking at warm, crowded paintings of farm life filling town centers with friendly bustle. I turned over a book and read on the back cover: Grandma Moses was still painting in 1950.
Standing in the Bennington Museum shop, I felt the way I had when I cleaned a closet at my grandparents' farm and found newspaper headlines my parents had saved from Martin Luther King Jr.'s assassination, tanks into Czechoslovakia, the moon landing. I knew these events from text books, and here they were in headlines to be read over morning coffee.
I knew Grandma Moses from book covers too — small bright villages and small bright people. I didn't know she was painting when my parents were born. I didn't know she was painting farm scenes when the state paved the road past my grandparents' farm, and tractors replaced the horse teams. I didn't know she was painting them while New England farming was vanishing around her.
She was an economical farm widow from Hoosick Falls, when she hung a few paintings in the corner pharmacy, by the homemade jam. A New York Art collector, Louis Caldor, happened on them — and got them shown in the Museum of Modern Art. Gives you something to think about next time you walk by a ceramics display at Wild Oats, or a wall of paintings at Bagels Too.
William Kentridge, Learning the Flute, on dislpay at WCMA through April 27.
Grandma Moses painted for Eisenhower and corresponded with Churchill. She listened to Harry Truman play the piano. Two years ago, she wound up in the Baseball Hall of Fame. And she was painting these hills. Her scenes are busy and familiar, muddy and garrolous, and if you want reminding how warm this landscape can be, you can do worse on a damp afternoon than head down to the Bennington Museum to look at them. It has the largest public collection of her paintings in the world.
It's easy to forget how many ongoing and unique exhibits and beautiful things there are to see here. For a complete Exhibits, check the Berkshires Week home page. (I owe Peter McLaughlin's Eagle article from March 2003 for some of the background information here.)
