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February 26, 2007

man, what a night (academy awards live blog)

And -- whew! The 79th Annual Academy Awards are over, at long last. And we've finally gotten our front page out to the presses, so I can take a breath and try to think about the night.

Or maybe I can do that tomorrow, when I'm a little less keyed up from deadline.

In the meantime, I'll leave you with a list of tonight's winners, courtesy of The Associated Press:
Best Motion Picture: “The Departed”
Lead Actor: Forest Whitaker, “The Last King of Scotland”
Lead Actress: Helen Mirren, “The Queen”
Supporting Actor: Alan Arkin, “Little Miss Sunshine”
Supporting Actress: Jennifer Hudson, “Dreamgirls”
Directing: Martin Scorsese, “The Departed”
Foreign Language Film: “The Lives of Others,” Germany
Adapted Screenplay: William Monahan, “The Departed”
Original Screenplay: Michael Arndt, “Little Miss Sunshine”
Animated Feature Film: “Happy Feet”
Art Direction: “Pan’s Labyrinth”
Cinematography: “Pan’s Labyrinth”
Sound Mixing: “Dreamgirls”
Sound Editing: “Letters From Iwo Jima”
Original Score: “Babel,” Gustavo Santaolalla
Original Song: “I Need to Wake Up” from “An Inconvenient Truth,” Melissa Etheridge
Costume: “Marie Antoinette”
Documentary Feature: “An Inconvenient Truth”
Documentary Short Subject: “The Blood of Yingzhou District”
Film Editing: “The Departed”
Makeup: “Pan’s Labyrinth”
Animated Short Film: “The Danish Poet”
Live Action Short Film: “West Bank Story”
Visual Effects: “Pirates of the Caribbean: Dead Man’s Chest”

Thank you ... and good night.

February 25, 2007

look, this is CRAZY (academy awards live blog)

Helen Mirren took Best Actress?

Who saw THAT coming?

kwik oscar update (academy awards live blog)

Film Editing: "The Departed."

Still waiting for the big awards ...

just missing deadline (academy awards live blog)

As far as I know, the Academy Awards were supposed to end by 11:30 p.m. There's a fixed end to the ceremony. That, as far as I've been able to tell, is why they "play people off" when their thank-you speeches go on too long.

Right?

That 11:30 cutoff is what makes it possible for little newspapers like mine to get their morning editions out on time. But with the Oscars running long tonight, there's no way we're going to make deadline. All we can do is sit and wait for the last award, the final wrap-up story from The AP.

And here they are, running "a look back at film" or something. WHAT? Come on. Isn't that the one thing you'd think they could cut from the evening without too much complaint? I mean, it's not like they could dispense with any of the awards, so.

i can't wait (academy awards live blog)

A quick update:

Melissa Etheridge took Best Original Song. We're getting close to the end now ...

high on originality (academy awards live blog)

"Nice!"

"Yeah!"

Apparently, we're all happy about "Little Miss Sunshine" taking Best Original Screenplay here in The Eagle newsroom.

Really, I'm so happy for this little film that could. The question is, can it take Best Picture? I'm starting to think maybe.

good and bad soundtracks (academy awards)

I'm not surprised "Babel" took the Oscar for Best Original Score. I have no idea why that doesn't surprise me, to be honest, but it doesn't. I just figured it was a safe bet.

Just before they announced the winner just now, I said, "Come on, let it be 'The Queen' so I can complain about it!" But my wish was denied.

That's okay. I can complain anyway.

"The Queen" was a really, really good film. Not Best Picture good, but very good. But as I walked out of the theater after seeing it, I was struck by how much I hated the music in it. It just ... didn't go. it was obtrusively bad -- as in, it interfered with my enjoyment of the film. So it's good that it didn't win Best Score -- that means I was right about the music, and I love to be right -- but sometimes it's fun to rail against the voters' decisions.

Ah well. I'm sure I'll have more chances to do that with other awards tonight.

for al, an oscar (academy awards live blog)

"Well, Al Gore's an Oscar winner," as a fellow copy editor just said.

Imagine that.

But hey -- now at least he has a place in the presenter's seat at next year's awards. This year it was just kind of odd to see him presenting. And with Leo DiCaprio? Just ... odd.

Documentary, Long: "An Inconvenient Truth"
Documentary, Short: Darn, I didn't hear that one either.

end to the suspense (academy awards live blog)

I love to see Jennifer Hudson win. Even though it would have made my night to see Abigail Breslin take home the Supporting Actress award, I knew there was no chance Hudson wouldn't win.

The thing about her is that she's always so genuinely happy, so really shocked and thrilled about being recognized. She really means it, and she's so real. It's refreshing.

dancing, in the dark ... (academy awards live blog)

The dancers are really, really creeping me out.

cinema in other languages (academy awards live blog)

The montage of past Foreign Language Film honorees was a nice touch.

And this year's Foreign Language Film winner is Germany's "The Live of Others."
Best Visual Effects: "Pirates of the Caribbean."

being inquisitive (academy awards live blog)

I'm always confused about The Associated Press wire photos. How do they choose the ones to send to all us lowly newspapers? Who makes those decisions?

And why do they send us 200 pictures of Jennifer Lopez?

The world may never know.

Oscar update: "Pan's Labyrinth" just took Achievement in Cinematography

another oscar update (academy awards live blog)

The Academy Award for costume design has gone to the designer from "Marie Antoinette." Just having seen the previews for that movie, I can definitely see why.

art of writing (academy awards)

Maybe just because I love writing -- and films about writing -- but I really enjoyed the collection of clips from writing movies. I'm so glad it included my favorite movie of all time, which is "Adaptation."

Best Adapted Screenplay: "The Departed." Okay, I know it was supposed to be a good movie, but do films based on other films really count? I don't know.

by the by (academy awards live blog)

I have two announcements:

"Happy Feet" has taken Animated Feature.

And Cameron Diaz is ... wait for it ... obnoxious as all get out. Hey, maybe she should host a red-carpet show next year on E!

cute (academy awards live blog)

We were all waiting, cringing, for Al Gore to crack some awkward, terrible joke ... and instead, the little "announcement" bit was pretty funny. At first, I thought they were going too far with it, but when the music swelled up for the punch line, I actually laughed. Good stuff.

doing the update (academy awards live blog)

“Letters From Iwo Jima” won for sound editing. I told you I'd update when I found out, and The AP just moved a partial list. So there you go.

James Taylor -- another local connection for the Berkshires -- "really maintains a high level of visibility," as a coworker just pointed out. And he never disappoints.

And on to the next song, performed by Melissa Etheridge, who's also always great.

evening's upset (academy awards live blog)

And the first real upset of the evening ... and I'm not the least bit upset about it.

Alan Arkin has taken Best Supporting Actor for his role in "Little Miss Sunshine"!

If Jackie Earle Haley couldn't win for "Little Children" -- and he really, really deserved to -- I'm so glad Arkin won. There was rejoicing here in the newsroom.

... And someone tell me what's up with the dance troupe? As a fellow copy editor just said to me, "I'm not sure I'm enjoying this. It's kind of creepy."

funny noises (academy awards live blog)

Speaking of musical numbers, the sound effects choir was kind of eerie -- I still am not sure I'm convinced those sounds were all made by those people. They just sounded too ... real. Though I know that was the point.

Oscar update: I didn't hear who won for sound editing! But I'll let you know as soon as I find out.
And "Dreamgirls" took the Oscar for sound mixing.

great scott! (academy awards live blog)

Best Animated Short Film: "The Danish Poet"
Best Live Action Short Film: "West Bank Story"

Yeah, "West Bank Story"! That film featured set design by Alethea Root, a native of Egremont, Mass., right here in the Berkshires!

humanities (academy awards live blog)

Oscar update: The artists from "Pan's Labyrinth" took Achivevement in Makeup. I can't say I'm surprised -- I didn't get to see the film, but it looks very makeup-intensive in the previews and clips I've caught.

i *heart* musical comedy (academy awards live blog)

This Will Ferrell-Jack Black musical number is definitely the high point of the Oscars so far.

Sure, the awards show has just started. But wow, this is great.

I had been sad to read interviews with Ellen in which she said she was refusing to sing like Billy Crystal; his movie songs were always my favorite part of the show.

just 'aim lower' (academy awards live blog)

So -- I liked Ellen Degeneres' low-key, funny opening speech, especially the convoluted tale about her childhood ambitions not to receive an Oscar but to host the show. And the musical ending was an unexpected, fun segue.

Oscar update: "Pan's Labyrinth" for Art Direction.

kapow! (academy awards live blog)

Is this the beginning? DId I miss something? Wait --

looky loo (academy awards live blog)

Well, thanks to some technical difficulties I don't really understand, it looks like I won't be able to upload photos tonight. I keep getting an error saying the files are too large, even though they're the same size I always use.

And that means I won't be able to show you how much Joan Rivers looks like Cruella DeVil this evening. Shucks. But trust me -- just like Cruella.

my bad (academy awards live blog)

They just showed Kate Winslet again, and I'm not sure why I thought she was wearing blue before, but -- well, I was wrong. It's a very pale green, very shiny. It looks great on her, of course, and it really isn't something one sees on the red carpet very often.

Still not sure how I feel about it, but there you go.

no photos (academy awards live blog)

The AP still hasn't moved any arrivals photos, despite the fact that people have been arriving for over an hour now. And the arrivals photos are one of the best parts of watching awards shows in a newsroom: We get to see the pictures we don't have room to print in the paper.

Come on, AP! Make with the photos!

oo! (academy awards live blog)

We were right!

We're big Kate Winslet fans at my house -- both of us -- and we'd read a quote from her about her plans for tonight's ensemble. Something about "a color one doesn't usually see on the red carpet."

No, Kate Winslet, we said. Stick with black, or even white. Something classic and lovely. "The trouble with her," I pontificated, "is that she's not as wrapped up in pomp and circumstance as the Angelinas. She could very well choose something 'fun' ... and 'fun' is not always good."

So we tried to guess the color. Blue or teal was my choice, but we bandied about other possibilities. I was so afraid that our offhand guesses of orange would be correct ... but no! I'm pretty sure I just caught a glimpse of her arriving, and she's in a bright blue. Whew! A little brighter, I think, than I would choose -- somewhat similar to her hair color in "Eternal Sunshine of the Spotless Mind," maybe, but a far sight better than orange. Or yellow. Or chartreuse ...

puh-leeeeze (academy awards live blog)

I noticed this during the Golden Globes arrivals show on E!, and I'm wondering if this is a new thing, or ...? Anyway, I'm talking about the use of the Telestrator -- the sports thing they use to illustrate plays during televised games. But they're obnoxious about it on E!, drawing stupid cutesy things and pretending they're so clever.

You'd never guess that I love awards shows, the way I'm tossing around "obnoxious" like it's swag. But I really do.

question ... (academy awards live blog)

Okay, I want to know how these E! pre-show hosts get selected.

Is there some kind of obnoxiousness competition, and the most annoying wins?

Actually, that sounds like a really fun awards show, and I think I should be the one to produce it. Something like "Most Obnoxious ... " And there can be categories like Actress, Actor, and Random Celebrity Who Doesn't Seem to Do Anything. Wow, that could be a blast.

red-carpet shenanigans (academy awards live blog)

E! has been, all day, running little "True or Faux" questions about celebrity fashion blunders -- I mean, choices -- asking two alleged experts what they think about various stars' past, present and future ensembles.

The deputy managing editor just looked up at the screen -- he's proofing pages right underneath the TV, and the question E! had asked was, "Will we see a sexy J.Lo tonight?"

"What?" the DME asked. "Is she even nominated for anything?"

"Oh no," I replied. And really, why should she be? Most of the celebrities who show up at these things are overrated non-nominees. Of course, much of the time I tend to think the nominees are overrated too (can we say "Cate Blanchett"?). But that could just be me.

Now, I know E! had a lot of time to fill in their noon-to-six pre-pre-show, but I wish they had spent more time focusing on the nominees and the pictures -- even on past winners, surprises, disappointments and upsets -- than on random "prepping for the red carpet" segments. But maybe that's just me, too.

simply fabulous (academy awards live blog)

Décor certainly helps with any party, and Oscar parties are no exception.

For my celebration this evening, I stuck with a very neutral color palette I like to call "newsroom grey." After all, it may be fun to decorate with lavish floral displays and outrageously expensive chandeliers, like at the Governor's Ball official Oscar after-party, but I wouldn't want the party setting to upstage the main event.

There's a TV overhead in the corner, and I have a perfect view here from my desk. My snacks are all within reach, and my dinner will be here in a couple hours. This is going to be a great night. And if my favorites happen to win ... all the better!

testing, testing (academy awards live blog)

I had hoped to see "Babel" before tonight's awards ceremony, but the residents of Pittsfield conspired against me.

It came out Tuesday, and went went to get it that evening, but all the copies had been rented. Same with Wednesday, Thursday, Friday and yesterday. What's a girl to do? We considered driving over this morning, so we could watch it before I had to come to work, but I didn't want to get up and around that early -- and, besides, there were pre-pre-pre-shows to watch.

So, unfortunately, I've still only seen two ("Little Miss Sunshine" and "The Queen") of the Best Picture nominees, but that's okay. I'll catch "Babel" as soon as my video store gets a copy back.

up, as in dressing (academy awards live blog)

Maybe, for you, fashion really makes an Oscar party. I don't mean what the celebrities are wearing. I mean what you're wearing.

Do you go all out for your Academy Awards get-togethers, with the sequins and the lace and the weird shower-scrubby dresses? Or do you, like me, figure you can't compete and stay in the comfiest, grubbiest clothes you can find?

For my red-carpet appearance this evening, I'm wearing a flattering steel-grey t-shirt by H&M, plus classic light-green khakis by Old Navy. I decided to go natural with my hair, so it's down around my shoulders in messy reddish frizz -- I mean, waves. My shoes are by Columbia, and they're super-comfy grey-blue hiking boots; the glasses are Guess, my everyday thin black wire-rims.

And in case I get cold, I brought along my soft black zip-up sweater with the giant collar. Where did I get it, you ask? Why, Target, of course. Yeah, I'm that high maintenance.

variety is the spice (academy awards live blog)

So what makes a really good Oscar party?

Is it the food? My main menu for tonight consists of Chinese takeout: General Tso's tofu and veggie lo mein. But there are snacks, of course -- yummy brownies by Dancing Deer Baking Co. and the "xocolatl" chocolate bar with chili peppers and cacao nibs by Dagoba. And Wild Oats brand all-natural ginger ale. Simple and convenient, but yummy and somewhat healthy too.

I considered chips and guacamole, but it's hard enough to eat and blog without adding messy goopy green stuff to the mix.

welcome, all! (academy awards live blog)

Good afternoon and welcome to the TV Personality Live Oscars Blog! ... Doesn't that sound nice and official?

Anyway, I'm here with my comfy clothes and my snacks and my all-natural sodas and The Berkshire Eagle's golf-bag-shaped newsroom remote, and I've commandeered the telly for the awards pre-show.

Of course, I've been watching the pre-show stuff on E! since it started at noon today -- basically, since I got up. So apart from being here at work, it's all Oscars, all the time for me today.

So stay tuned -- there's lots of Oscar glitz to share.

February 23, 2007

x-citing

Wow. Do I really need another word to describe last night's episode of "The Office"? Just ... wow.

One thing I really love about the show is its ability to stay just inside the lines of hilarity and realism, and it pulled that off admirably with last night's confrontation between Pam (Jenna Fischer) and Roy (David Denman). Man, that scene was as emotionally intense and shocking as last season's Pam-Jim Kiss cliffhanger.

It was shocking because his violent outburst was so sudden and so very real, but not because it was unexpected. Denman's Roy has always had those traits: the jealousy, the self-centeredness, the lack of consideration for Pam's feelings, the ... I'm not sure what to call it. You could just always tell, looking at him, that he was capable of trashing a barroom -- or a person -- if something set him off. Look at "The Alliance," an episode from early last season, when Roy came in at the end to find Pam and Jim just laughing together; he nearly knocked Jim out right then. That was another great intense, real moment. And I look forward to finding out what will happen now.

But it's still a comedy: The writers, producers and actors all walk that line so carefully between comedy and drama, keeping the whole thing both funny and grounded. It's ultimately about human interaction and the complex relationships between coworkers, bosses, friends -- which are, of course, in turns hysterically funny, deeply serious, and just plain weird.

And can we say a few words about the crazy mixed-up relationship between Jan (Melora Hardin) and Michael (Steve Carell)? It's so wrong, and that's what makes it so right.

February 22, 2007

youtube sucked my soul

My days are simple: I get up, usually, around 10 a.m. (later if I can help it, and earlier if I'm having a bad dream or panic attack); I hang out until 12:30 as I try to wake up fully; and then I do chores and play online or write or watch TV until 3:15, when it's time for me to leave for work.

Lately, the playing-online potion of what I call my morning is taking up more and more of my time. And it's all YouTube's fault. There are thousands upon thousands of videos out there -- some good, some middling, some awful -- just begging to be watched. I'm still navigating, and it's incredible the amount of time that takes. You can search by movie or TV show or celebrity name for clips and trailers and interviews old and new, or you can ride wave after wave of amateur videos. And for every little gem you watch, a list pops up with "related" features, so you can just click from one to the next to the next ... It's endless.

"What did you do this afternoon?" I am asked when I get home, and I have to think.

"Hm. I -- made lunch. And I wrote a blog entry. And ... I guess I played on YouTube until it was suddenly time to get ready for work."

Of course, I always mean to do the dishes and take care of housework and edit the novel that's gathering dust in my study, but no -- it seems to come down to this: "YouTube sucked my soul. Again."

February 18, 2007

zeal

I think I forgot, in all the awards-show hype this season, to share with you my impressions of this year's Academy Awards nominees — and my picks and predictions for the major awards.

I suppose I'm better late than never, as they say. My predictions are in bold.

ACTOR:
Leonardo DiCaprio, “Blood Diamond"
Ryan Gosling, “Half Nelson"
Peter O’Toole, “Venus"
Will Smith, “The Pursuit of Happyness"
Forest Whitaker, “The Last King of Scotland"

I'm going to go way out on a limb here and predict that Forest Whitaker will complete his sweep of the awards with another win for his turn as dictator Idi Amin in "The Last King of Scotland."

ACTRESS:
Penelope Cruz, “Volver"
Judi Dench, “Notes on a Scandal"
Helen Mirren, “The Queen"
Meryl Streep, “The Devil Wears Prada"
Kate Winslet, “Little Children"

As much as I really loved "Little Children," and as much as I wish Kate Winslet could get some recognition for a brilliant performance in that film, I don't think anyone in this category — not even the inimitable Meryl Streep — has a shot at beating out Helen Mirren for this prize.

SUPPORTING ACTOR:
Alan Arkin, “Little Miss Sunshine"
Jackie Earle Haley, “Little Children"
Djimon Hounsou, “Blood Diamond"
Eddie Murphy, “Dreamgirls"
Mark Wahlberg, “The Departed"

I'm making a prediction here that I don't believe myself. I mean, Murphy has been lauded to no end for his part in "Dreamgirls," so I'm sure he did well. But I've seen "Little Children" three times now, and Jackie Earle Healey's portrayal of a convicted sex offender is so shockingly good that it surprises me every time. He deserves the Oscar — I have no doubt about this — but I don't think he'll walk away with it.

SUPPORTING ACTRESS:
Adriana Barraza, “Babel"
Cate Blanchett, “Notes on a Scandal"
Abigail Breslin, “Little Miss Sunshine"
Jennifer Hudson, “Dreamgirls"
Rinko Kikuchi, “Babel"

Hudson has already been granted confirmation of her star stature in Golden Globe and SAG Award form, and I predict she'll take home the Oscar, too. I would love to see little Abigail Breslin's nuanced, real performance in "Little Miss Sunshine" recognized, but I suspect the nomination will have to suffice.

DIRECTING:
Alejandro Gonzalez Inarritu, “Babel"
Martin Scorsese, “The Departed"
Clint Eastwood, “Letters From Iwo Jima"
Stephen Frears, “The Queen"
Paul Greengrass, “United 93"

It's Scorsese. Does anyone else really have a chance?

PICTURE:
"Babel"
"The Departed"
"Letters from Iwo Jima"
"Little Miss Sunshine"
"The Queen"

Okay ... so this one is a toughie. Of the five, I've only seen two: "Little Miss Sunshine" and "The Queen." I had no interest in seeing "The Departed" -- it just doesn't seem like my cup of tea, from everything I've seen and read about it, even though I'll admit it's likely very well done. Same, kind of, for "Letters from Iwo Jima," although I really think I'd enjoy that better than its counterpart, "Flags of our Fathers," and definitely better than "Departed." I didn't get to see "Babel" in the theaters, because by the time I'd convinced myself that it sounded interesting enough to counteract the presence of Brad Pitt (Multiple interconnected storylines in multiple languages? That's so me, I could have made that film!), it was gone. Luckily, it came out on video today, so I can rent it this week and watch it before Sunday's awards.

But hey, I've made most of my predictions without seeing all the films in each category. So why is it so tough to pick a "Best Picture"? Because, you see, the Academy tends to be unpredictable in this area. Remember how "Crash" robbed "Brokeback Mountain" of the prize?

My money, I think, would be on "Babel": "Little Miss Sunshine," while probably my favorite movie of the five, will probably not stand up well to the weightier subject matter in the other films; "The Queen" was great, but it was all about Helen Mirren, so once she's honored as "Best Actress," that's it; and I honestly don't know if enough people saw "Letters from Iwo Jima" to ensure its victory. "The Departed" is probably the strongest competitor "Babel" has.

But as I said to someone or other last night, while we were watching a pre-Oscars show on The Biography Channel, "Letters from Iwo Jima" will probably win. Just because I don't think it should.

February 17, 2007

ze unsinkable

The unthinkable has happened.

I arrived home from work at midnight on Thursday to find sorrowful eyes in the kitchen. "I have bad news."

An accident? A flood? Illness in the family? -- "Our shows didn't tape." Oh.

Oh.

Thanks to our new digital cable, we have to set the VCR very differently from before: We have to leave the cable box on at the channel we're taping, and we have to set the VCR to channel 3, and then we have to program the VCR to tape channel 3 for the length of time our shows are on. This is very easy to forget, since our old system just involved setting the VCR to tape the channel we wanted for the time we wanted. I knew it was just a matter of time before the new system backfired on us ... and it did Thursday night. We missed our NBC shows, "The Office" and "30 Rock."

"No problem," I said. "We can download the episodes from iTunes for, like, two bucks."

Crisis averted.

February 14, 2007

you are cordially invited …

WHAT: An Oscar-night extravaganza!
DATE: Sunday, Feb. 25,
TIME: Beginning at 4 p.m.
WHERE: Right here at www.blogtheberkshires.com/tv/
DRESS: Black tie, of course. But if you want to show up in your jammies, we won't turn you away.

February 11, 2007

x-out (grammy awards live blog)

And here concludes my live blog coverage of the 49th Annual Grammy Awards.

I think it's just great that the Dixie Chicks were able at last to overcome the bad press from that one little anti-Bush remark so long ago and pick up five whole Grammys, including both Record of the Year and Album of the Year.

I'm not a huge fan of them or anything — until tonight, I hadn't even heard "I'm Not Ready to Make Nice" — but, like everyone with TV access, I had heard about the huge stink country fans and conservatives had made about their opinion of the president. Like many, I thought, "Who cares?" and went on with my life.

And so did they. They kept going and made more music, and now they're back — with the awards to prove it. Good for them!

I hope y'all have enjoyed watching the awards show with me, and I hope you'll tune in Sunday, Feb. 25, for my Oscar Night party!

what not to wear (grammy awards live blog)

Joan and Melissa Rivers have finally, without question, lost it.

What IS this?

Grammy_Awards_rivers.jpg

variety show (grammy awards live blog)

The Grammys, for some reason, have seemed to go by far more quickly than any other awards show I've seen. Here it is, almost 11:00 p.m., and I'm wondering where exactly the night has gone.

I can't figure out why this is: Is it the combination of concert and awards show? Does the music make time slip by faster? I know it helps me get my housework done.

This year, CBS decided to capitalize on the success of the Fox Network's "American Idol" by incoporating a singing competition into the show: Viewers were asked to vote for three performers, and the winner would get to sing a duet with Justin Timberlake.

That's going on now, and in my opinion the whole segment was a complete waste of time. Nobody needed that, except maybe the girl who won, and did it need to take over ten whole minutes?

unbelievable (grammy awards live blog)

WHY is David Spade introducing a Grammy act? How bizarre.

At least he made a joke about what an unlikely choice he is for the role.

thank-you notes (grammy awards live blog)

So Carrie Underwood is the Best New Artist. She may be newer than Imogen Heap, but she's not exactly new this year. She won "American Idol" in spring 2005, and it feels like she's been around forever. Seriously, who came up with the criteria for this award?

It seems the winners are being very brief with their acceptance speeches — more so than winners at other awards shows. I wonder why that is?

Something, perhaps, to do with the fact that most popular songs are 3 to 5 minutes long, while TV shows are 30 to 60 minutes and movies are a couple hours? Maybe the musical artists are just used to reaching audiences in shorter time slots.

singing is believing (grammy awards live blog)

I hadn't seen Mary J. Blige perform before tonight, and I hadn't heard any of her songs, but I must say, she really can sing. Wow.

And here is a partial list of tonight's winners, courtesy of The Associated Press wire:
Female R&B Vocal Performance: “Be Without You,” Mary J. Blige.
Pop Vocal Album: “Continuum,” John Mayer.
Pop Collaboration With Vocals: “For Once in My Life,” Tony Bennett and Stevie Wonder.
R&B Album: “The Breakthrough,” Mary J. Blige.
Short Form Music Video: “Here It Goes Again,” OK Go.
Long Form Music Video: “Wings for Wheels: The Making of Born to Run,” Bruce Springsteen.
Recording Package: “10,000 Days,” Adam Jones, art director (Tool).
Boxed or Special Limited Edition Package: “Stadium Arcadium,” Flea, John Frusciante, Anthony Kiedis, Chad Smith and Matt Taylor, art directors (Red Hot Chili Peppers).
Album Notes: “If You Got to Ask, You Ain’t Got It!” Dan Morgenstern, album notes writer (Fats Waller).
Historical Album: “Lost Sounds: Blacks and the Birth of the Recording Industry 1891-1922.”
Engineered Album, Classical: “Elgar: Enigma Variations; Britten: the Young Person’s Guide to the Orchestra, Four Sea Interludes,” Michael Bishop, engineer (Paavo Jarvi and Cincinnati Symphony Orchestra).
Producer of the Year, Classical: Elaine Martone.
Classical Album: “Mahler: Symphony No. 7,” Michael Tilson Thomas, conductor, Andreas Neubronner, producer (San Francisco Symphony).
Orchestral Performance: “Mahler: Symphony No. 7,” Michael Tilson Thomas, conductor (San Francisco Symphony).
Opera Recording: “Golijov: Ainadamar: Fountain of Tears,” Robert Spano, conductor, Kelley O’Connor and Dawn Upshaw; Valerie Gross and Sid McLauchlan, producers (Women of the Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra).
Choral Performance: “Part: Da Pacem,” Paul Hillier, conductor (Estonian Philharmonic Chamber Choir).
Instrumental Soloist(s) Performance (with Orchestra): “Messiaen: Oiseaux Exotiques (Exotic Birds),” John McLaughlin Williams, conductor; Angelin Chang (Cleveland Chamber Symphony).
Instrumental Soloist Performance (without Orchestra): “Chopin: Nocturnes,” Maurizio Pollini.
Chamber Music Performance: “Intimate Voices,” Emerson String Quartet.
Small Ensemble Performance: “Padilla: Sun of Justice,” Peter Rutenberg, conductor (Los Angeles Chamber Singers’ Cappella).
Classical Vocal Performance: “Rilke Songs,” Lorraine Hunt Lieberson (Peter Serkin), track from Lieberson: Rilke Songs, The Six Realms, Horn Concerto.
Classical Contemporary Composition: “Golijov: Ainadamar: Fountain of Tears,” Osvaldo Golijov (Robert Spano).
Classical Crossover Album: “Simple Gifts,” Bryn Terfel (London Voices; London Symphony Orchestra).
Latin Pop Album (tie): “Adentro,” Arjona. “Limon Y Sal,” Julieta Venegas.
Latin Rock, Alternative or Urban Album: “Amar Es Combatir,” Mana.
Tropical Latin Album: “Directo Al Corazon,” Gilberto Santa Rosa.
Mexican/Mexican-American Album: “Historias De Mi Tierra,” Pepe Aguilar.
Tejano Album: “Sigue El Taconazo,” Chente Barrera.
Norteno Album: “Historias Que Contar,” Los Tigres Del Norte.
Banda Album: “Mas Alla Del Sol,” Joan Sebastian.
Rap Solo Performance: “What You Know,” T.I.
Rap Performance by a Duo or Group: “Ridin,” Chamillionaire featuring Krayzie Bone.
Rap/Sung Collaboration: “My Love,” Justin Timberlake featuring T.I.
Rap Song: “Money Maker,” Christopher Bridges and Pharrell Williams (Ludacris featuring Pharrell).
Gospel Performance: “Victory,” Yolanda Adams.
Gospel Song: “Imagine Me,” Kirk Franklin (Kirk Franklin).
Rock or Rap Gospel Album: “Turn Around,” Jonny Lang.
Pop/Contemporary Gospel Album: “Wherever You Are,” Third Day.
Southern, Country, or Bluegrass Gospel Album: “Glory Train,” Randy Travis.
Traditional Gospel Album: “Alive in South Africa,” Israel and New Breed.
Contemporary R&B Gospel Album: “Hero,” Kirk Franklin.
Traditional Blues Album: “Risin’ With the Blues,” Ike Turner.
Contemporary Blues Album: “After the Rain,” Irma Thomas.
Compilation Soundtrack Album for Motion Picture, Television or Other Visual Media: “Walk the Line,” Joaquin Phoenix and Various Artists.
Score Soundtrack Album for Motion Picture, Television or Other Visual Media: “Memoirs of a Geisha,” John Williams, composer.
Song Written for Motion Picture, Television or Other Visual Media: “Our Town (From Cars),” Randy Newman (James Taylor).
Instrumental Composition: “A Prayer for Peace,” John Williams, composer (John Williams), from “Munich — Soundtrack.”
Instrumental Arrangement: “Three Ghouls,” Chick Corea, arranger (Chick Corea), from “The Ultimate Adventure.”
Instrumental Arrangement Accompanying Vocalist(s): “For Once in My Life,” Jorge Calandrelli, arranger (Tony Bennett and Stevie Wonder), from “Duets: an American Classic.”
Traditional Folk Album: “We Shall Overcome — the Seeger Sessions,” Bruce Springsteen.
Contemporary Folk/Americana Album: “Modern Times,” Bob Dylan.
Native American Music Album: “Dance With the Wind,” Mary Youngblood.
Hawaiian Music Album: “Legends of Hawaiian Slack Key Guitar — Live From Maui,” Various Artists.
Reggae Album: “Love Is My Religion,” Ziggy Marley.
Traditional World Music Album: “Blessed,” Soweto Gospel Choir.
Contemporary World Music Album: “Wonder Wheel,” the Klezmatics.
Polka Album: “Polka in Paradise,” Jimmy Sturr and His Orchestra.
Musical Show Album: “Jersey Boys.”
Engineered Album, Non-Classical: “At War With the Mystics,” the Flaming Lips and Dave Fridmann, engineers (The Flaming Lips).
Remixed Recording, Non-Classical: “Talk (Thin White Duke Mix),” Jacques Lu Cont, remixer (Coldplay).
Surround Sound Album: “Morph the Cat,” Darcy Proper, surround mastering.
Producer of the Year, Non-Classical: Rick Rubin.
Musical Album for Children: “Catch That Train,” Dan Zanes and Friends.
Spoken Word Album for Children: “Blah Blah Blah: Stories About Clams, Swamp Monsters, Pirates and Dogs,” Bill Harley.
Spoken Word Album (Includes Poetry, Audio Books and Story Telling) (Tie): “Our Endangered Values: America’s Moral Crisis (Jimmy Carter),” Jimmy Carter. “With Ossie and Ruby: In This Life Together (Ossie Davis and Ruby Dee),” Ossie Davis and Ruby Dee.
Comedy Album: “The Carnegie Hall Performance,” Lewis Black.
New Age Album: “Amarantine,” Enya.
Contemporary Jazz Album: “The Hidden Land,” Bela Fleck and the Flecktones.
Jazz Instrumental Solo: “Some Skunk Funk,” Michael Brecker.
Jazz Instrumental Album, Individual or Group: “The Ultimate Adventure,” Chick Corea.
Large Jazz Ensemble Album: “Some Skunk Funk,” Randy Brecker With Michael Brecker, Jim Beard, Will Lee, Peter Erskine, Marcio.
Latin Jazz Album: “Simpatico,” the Brian Lynch/Eddie Palmieri Project.
Pop Instrumental Performance: “Mornin’,” George Benson (& Al Jarreau).
Pop Instrumental Album: “Fingerprints,” Peter Frampton.
Dance Recording: “Sexy Back,” Justin Timberlake and Timbaland.
Electronic/Dance Album: “Confessions on a Dance Floor,” Madonna.
Traditional Pop Vocal Album: “Duets: an American Classic,” Tony Bennett.
Male R&B Vocal Performance: “Heaven,” John Legend.
R&B Performance by a Duo or Group With Vocals: “Family Affair,” (Sly and the Family Stone), John Legend, Joss Stone With Van Hunt.
Traditional R&B Vocal Performance: “God Bless the Child,” George Benson and Al Jarreau featuring Jill Scott.
Urban/Alternative Performance: “Crazy,” Gnarls Barkley.
R&B Song: “Be Without You,” Johnta Austin, Mary J. Blige, Bryan-Michael Cox and Jason Perry (Mary J. Blige).
Contemporary R&B Album: “B’Day,” Beyonce.
Female Country Vocal Performance: “Jesus, Take the Wheel,” Carrie Underwood.
Male Country Vocal Performance: “The Reason Why,” Vince Gill.
Country Performance by a Duo or Group With Vocal: “Not Ready to Make Nice,” Dixie Chicks.
Country Collaboration With Vocals: “Who Says You Can’t Go Home,” Bon Jovi and Jennifer Nettles.
Country Instrumental Performance: “Whiskey Before Breakfast,” Bryan Sutton and Doc Watson.
Country Song: “Jesus, Take the Wheel,” Brett James, Hillary Lindsey and Gordie Sampson (Carrie Underwood).
Bluegrass Album: “Instrumentals,” Ricky Skaggs and Kentucky Thunder.
Jazz Vocal Album: “Turned to Blue,” Nancy Wilson.
Female Pop Vocal Performance: “Ain’t No Other Man,” Christina Aguilera.
Male Pop Vocal Performance: “Waiting on the World to Change,” John Mayer.
Pop Performance by a Duo or Group With Vocal: “My Humps,” Black Eyed Peas.
Solo Rock Vocal Performance: “Someday Baby,” Bob Dylan.
Rock Performance by a Duo or Group With Vocal: “Dani California,” Red Hot Chili Peppers.
Hard Rock Performance: “Woman,” Wolfmother.
Metal Performance: “Eyes of the Insane,” Slayer.
Rock Instrumental Performance: “The Wizard Turns On ... ,” the Flaming Lips.
Rock Song: “Dani California,” Flea, John Frusciante, Anthony Kiedis and Chad Smith (Red Hot Chili Peppers);
Alternative Music Album: “St. Elsewhere,” Gnarls Barkley.

Whew!

red carpet weirdness (grammy awards live blog)

I haven't focused much on the fashion side of things so far this evening, but the top prize for Creepiest Outfit goes to ...

OK Go!

Grammy_Awards_OKGo.jpg

Wow. That's really ... something.

quiet, please (grammy awards live blog)

I can't help but wonder if the Grammy performances are like other concerts.

You know, where you arrive and sit down in your assigned seat to find that the people in front of you are interested only in drinking and talking throughout the show. This always happens to me, and it ruins my concert experience.

I don't mean to be grouchy. It's just that when I pay good money for tickets and actually make the effort to get all dolled up, I don't want some drunken lout hitting on the girl next to him ruining the night for me. I don't want people screaming into their cell phones, and I definitely don't want people singing along — I paid to hear the performer(s), not the audience members, no matter how well they think they can sing. Ever see "American Idol"? Most people who think they're great musicians ... aren't.

So in the middle of the mini-concerts tonight, are the celebrities in attendance acting like the rest of us? Are they chatting through others' songs? Checking their messages? Blowing smoke at those seated in front of them?

Or, because the awards are about music, is the Grammy Awards audience actually a respectful one? The world may never know.

police (grammy awards live blog)

It's almost 9:00 already. Is that one song really the only thing The Police are going to play tonight? I mean, they were great, but I keep expecting them to come back out for an encore.

overjoyed (grammy awards live blog)

Mary J. Blige just won again, this time for Female R&B Performance. You know, I'm not familiar with any of her songs, as far as I know, but I'm happy for her anyway.

Before that award was announced, Justin Timberlake sang for us. It was a rockin' song, and a good show, but what was up with the Justin Cam? The deputy managing editor pointed out that Peter Gabriel did much the same thing 10 years ago, which to me means it should be avoided. Justin may be talented in his own right, but can he really measure up to Peter Gabriel?

How could anyone not love Stevie Wonder? "I love bein' right," he said just now. A man after my own heart.

nice girls (grammy awards live blog)

I have to confess I don't know a lot about many of this year's nominees, or about their songs or albums.

I don't really listen to the radio, ever, so I'm only exposed to new music through TV and movies, or through recommendations and gifts from my highly musically literate aunt in Delaware, or friends in Vancouver or Syracuse. So though I can always be found with music in the background — CDs in the car and at home, and my mp3 player all night at work — most of what I listen to is more obscure, more independent, less in the mainstream than what's played on the radio. I read Entertainment Weekly, but I usually just skim the music section, on the lookout for pieces on artists I already know.

So most of tonight's performances will probably include songs that are very new to me, if not to the rest of the viewers.

The Dixie Chicks' "I Don't Wanna Make Nice" sounded like a good song. And Beyoncé put on a great show too.

And Mary J. Blige just won in the R&B Album category for "The Breakthrough."

Such nice girls.

'make some noise' (grammy awards live blog)

"Wow, they're opening with this?" the deputy managing editor asked as The Police played the opening notes of "Roxanne."

"I guess," I replied. "Huh."

I think it was probably assumed by all of us that the much-anticipated Police reunion would be a featured highlight in the middle of the program. But at the beginning? Where can they go from there? And just one song?

Oh well. On to the awards, I guess.

looking for new talent (grammy awards live blog)

Perusing the list of Grammy nominees, one question comes to mind: How do they decide whether or not an artist qualifies as "new"? What're the criteria?

Because ... I see Imogen Heap listed in the Best New Artist category, despite the fact that I've had an album of hers ("i Megaphone") since it came out in 1998. I can see from her Wikipedia entry that her music has been featured in previous years on TV shows like "The O.C." and in movies like "Garden State" and "Shrek 2."

She's hardly new to the music arena. So what makes her suddenly a New Artist contender? It doesn't make sense to me.

kings and queens of popular music (grammy awards live blog)

To get your Grammy night started, why not review the following list of nominees?

Record of the Year
* “Be Without You,” Mary J. Blige
* “You’re Beautiful,” James Blunt
* “Not Ready to Make Nice,” Dixie Chicks
* “Crazy,” Gnarls Barkley
* “Put Your Records On,” Corinne Bailey Rae

Song of the Year
* “Be Without You”
* “Jesus, Take the Wheel”
* “Not Ready to Make Nice”
* “Put Your Records On”
* “You’re Beautiful”

New Artist
* James Blunt
* Chris Brown
* Imogen Heap
* Corinne Bailey Rae
* Carrie Underwood

Album of the Year
* “Taking the Long Way,” Dixie Chicks
* “St. Elsewhere,” Gnarls Barkley
* “Continuum,” John Mayer
* “Stadium Arcadium,” Red Hot Chili Peppers
* “FutureSex/LoveSounds,” Justin Timberlake

Rock Album
* “Try,” John Mayer Trio
* “Highway Companion,” Tom Petty
* “Broken Boy Soldiers,” The Raconteurs
* “Stadium Arcadium,” Red Hot Chili Peppers
* “Living With War,” Neil Young

Pop Vocal Album
* “Back to Basics,” Christina Aguilera
* “Back to Bedlam,” James Blunt
* “Continuum,” John Mayer
* “The River in Reverse,” Elvis Costello and Allen Toussaint
* “FutureSex/LoveSounds,” Justin Timberlake

Rap Album
* “Lupe Fiasco’s Food & Liquor,” Lupe Fiasco
* “Release Therapy,” Ludacris
* “In My Mind,” Pharrell
* “Game Theory,” The Roots
* “King,” T.I.

R&B Album
* “The Breakthrough,” Mary J. Blige
* “Unpredictable,” Jamie Foxx
* “Testimony: Vol. 1, Life & Relationship,” India.Arie
* ”3121,” Prince
* “Coming Home,” Lionel Richie

Source: The Washington Post

just a kid (grammy awards live blog)

The first time I heard about the Grammy Awards, I was a little confused.

It was back in the first house I remember, a little ranch in North Syracuse, N.Y., and I was probably about 5 or 6. My mom's transistor radio — the one I coveted so — was on in the kitchen, and we were listening to WHEN, the AM talk-radio station my mom always played while we got ready for the day.

They said something about the Grammy Awards, and I looked up. The Grammy Awards? They gave out awards for grandmothering?

If so, my Grammy — my mother's mother — certainly deserved one. She was great: She could sew or knit or crochet anything, and her house was a treasure chest of surprises, especially the attic, where we could play for hours among the buttons and ribbons and bolts of fabric. She made homemade donuts, dense and fried but not greasy, that spoiled me forever for other kinds. And she let us eat the sugary cereals my mother abhorred, the ones with marshmallows and candy pieces that turned the milk rainbow. Her house sat right on the St. Lawrence River in Clayton, N.Y., the small town where both my parents had grown up and where it was safe for us kids to wander alone to the playground or the arcade, and we would sit and watch the big ships on the river or go swimming off the nearby docks. She loved us kids, and was always proud of us. Visiting her was the best part of summer.

So that's perfect, I thought. Grammy Awards. I think it was probably another year before I got really into music — my favorite artist back then was Madonna — and found out what the Grammys really were. Ah well. My Grammy was still the best.

The awards show starts at 8:00 tonight on CBS, and I'll be updating throughout, so stay tuned.

February 10, 2007

jim! no!

I've discovered I talk to my TV. Most of the time, I just say things like "Get away from me!" to annoying commercials and Joan Rivers.

But I notice that when I watch certain shows, I actually talk to the characters.

"Oh God, Jenny," I'll say to one of the main "L Word" ladies. "Why can't you just attempt suicide and get it over with, so I don't have to see you anymore?" Or: "CrazyBette, what the heck are you doing?"

And "The Office" this week had two of us yelling things at the household TV. Specifically, at Pam (Jenna Fischer) and Jim (John Krasinski). "Pam, NO!" we both cried as she took the hand of Roy (David Denman), her ex-fiancé, and left the party with him -- the first time they're really reconnected since Pam called off the wedding between Seasons Two and Three. I know she's lonely and upset, watching Jim and his girlfriend every day at the office, but no! "Pam, don't do it! He's not the one for you!" I tried, but she didn't hear me.

And Jim. Oh, Jim. "Go after her," we told him on Thursday night, as he watched with his puppy-dog eyes while Pam left on Roy's arm.

February 09, 2007

i never get sick

This week has been a strange one for me. Three or four days ago, I came down with a sore throat. Actually, it wasn't so much coming down with as waking up with a sore throat -- I opened my eyes, yawned and swallowed ... and discovered someone had wire-brushed my throat in the night. Ow. And yesterday I was feverish and in even more pain, so I went to the doctor, who said it was likely viral and I should just go home, rest, drink lots of tea and fluids, and gargle.

The strange part is that I really never get sick. I don't get colds; I don't get the flu. I get migraines about twice or more per week, and occasionally I eat something that doesn't agree with me, but I'm not used to this ill feeling. The fatigue that makes me dread climbing the stairs in my own house, and the need to curl into a ball and sleep for the next six months -- these are pretty foreign to me. And the sore-throat pain. Man, I am not used to that.

Yesterday, I started going through the unlabeled VHS tapes that litter my living room floor. I wanted to watch some early-third-season episodes of "The Office" while I was recuperating. But I found I was too weak to fast-forward through the commercials, so I only got through the season premiere. It was as good as I remembered, so that was okay. But then I moved on to the second-season DVDs. No fast-forwarding required.

"The Office" is a new addition to my sick-day comfort-viewing list. The show is hysterically funny, but it's pretty quiet in general, so it makes me laugh without being too taxing. It's perfect.

Some of my other sick-day picks include:

* "Get Real," a little British flick from 1998 that somehow always makes me feel a wee bit better. It's about a gay high-schooler who learns to be true to himself; it's sweet and funny and very, very British. Which is a good thing.

* VH1's "I Love the '80s." I only watch it when I'm sick, but I find that losing myself in clips and quips from my childhood really does the trick.

* The TV Guide Channel. Just -- the TV Guide Channel. Okay, so this isn't really a pick, but it's so associated with sick days in my mind that I can't not mention it.

See, a few years ago, before I became as much of a health nut as I am, I got really, really sick and had to miss work for more than three weeks. During that time, I was on anti-nausea meds that blurred my vision, so I couldn't read or watch TV or movies or anything. All I could do was lie on the couch. I kept turning on the TV, though, because in my delirium I believed each time that maybe I'd be able to watch something ... and it never worked. I'd put on channel 19, the TV Guide Channel, with the intention of selecting a program, but then I'd collapse onto the couch, too weak and blind to change the channel or turn off the set. It would be hours before I could drag myself back into reality and turn it off.

I swear, the weeks of fever must have burned the little station-identification jingle into my brain, because to this day I get a little chill every time I hear it.

Hey, does anybody out there have any sick-day favorites? Comment on this entry and let me know, eh.

February 05, 2007

home again

I just visited cbs.sportsline.com/superads so I could get a second look at some of the ads from last night's Super Bowl.

The Web site is snazzy, and you can search for commercials either by advertiser or by quarter, which is useful and fun.

However, the player seems to be incompatible with my Web browser, so I've been unable to watch any of them, and I don't believe a Web site's design should require users to upgrade or change settings or what have you. Snazzy is fine, but not if it reduces the number of people who can enjoy the site. So I'm not going to try too hard to figure out why the ads won't play.

Ah well. I suppose I'll have to stick with my first impressions.

February 04, 2007

game over (live super bowl blog)

So that's it, pretty much! Some team from Indiana apparently won the game, and congratulations to them.

My top two ads for the night would have to be:

* For second place, the "Robert Goulet wreaking havoc in the office because everybody has low blood sugar at 3 p.m." commercial. It was off-the-wall and funny, and completely unexpected. Effective, too: I don't think I knew of Emerald Nuts before tonight.

* For first place, the "(CD) Connectile Dysfunction" ad by Sprint Mobile Broadband. It was everything I look for in an ad: a) It was a spot-on parody of another class of ads, a class completely unrelated to the product at hand; b) It was subtle and understated, not the least bit obnoxious; c) It was dead funny.

And that's it from me for tonight! I'll do my best to check out the Web site CBS has set up for tonight's ads tomorrow afternoon, and I'll share my second opinions of the commercials after a repeat viewing.

Thanks for watching with me, and tune in to my next live blog on Sunday, Feb. 25 -- the Academy Awards!

football fans (live super bowl blog)

The NFL ad was cute: "It's hard to say goodbye. For some, it's even harder." I'm not a football fan, but I know the feeling -- every season finale of a favorite show leaves me empty, longing for the next season to start.

I've discovered I don't just hate truck ads: I hate car ads, too. They're boring and really pointless.

And I really, really liked the godaddy.com commercial just now! "Everybody wants to work in marketing." That one was self-referential, and the pretty girls had a real purpose for being there. Good stuff.

e*trade (live super bowl blog)

The little ads from e*trade have been pretty good tonight: I didn't get to mention the first one, with the bank robbery -- "Getting robbed by your bank?" -- but it was great. It looked almost like a TV action-show promo, or a heist-movie trailer. And the more recent one, with the list of things you can do with one finger, including telling your expensive trading advisor "where to go": very nice.

And hey! Another jungle survival ad from careerbuilder.com! You go, guys!

devoid of meaning (live super bowl blog)

The Izod commercial just now reminded me of the Van Heusen one from a little bit earlier. It was pointless and artificial, and it really just turned me away from the product. Yeah, it was slick and kind of pretty, in its own way, but it was empty.

crabby (live super bowl blog)

The Budweiser ad with the little crabs stealing the cooler and worshiping it was good in exactly the way the talking-lions Taco Bell ads aren't: The people were at the beach with their cooler, and the crabs live at the beach. It was all believable.

And it was cute, too!

ba-da-bup-ba-uh-oh (live super bowl blog)

Well, we finally got to see the controversial K-Fed commercial -- the one I've seen stories on all week.

It seems the fast-food industry is insulted about the "image" of the fry guy Federline portrays in the ad, daydreaming about his past as a rich and famous rapper until he's jolted awake by his fast-food supervisor. The idea being that he once had it all and is now working at a burger shack. "Life comes at you fast," the Nationwide Insurance slogan says.

I don't see what's so bad about the ad, personally. We all daydream, and we all remember the good old days. Back when I was working temporarily as a cashier, years ago, I remembered fondly my food stamp-outreach position and looked forward to leaving for my editing position. But I still took pride in doing a good job as a cashier, even if it wasn't my dream job.

If K-Fed were playing a daydreaming accountant, would the CPAs be up in arms?

Hey, this is kind of like the whole Geico caveman storyline come to life! "How would you feel if I said, 'Geico.com is so easy, a therapist can use it'?"

a laugh (live super bowl blog)

Fedex is holding its own tonight too: The "names" commercial was pretty good, in almost a Monty Python kind of way. It was corny and hokey, but the "Mr. Turkeyneck" punch line was good enough that it tied the whole package together.

another great one (live super bowl blog)

Kudos to Emerald Nuts for the Robert Goulet spot. That one takes my second-place award for the night.

What more can I say?

boogaloo (live super bowl blog)

It's the continuation of the careerbuilder.com jungle training seminar ad! I love ads that have sequels -- as long as the original was good, and this one was.

"You're a delivery guy -- you don't even work here!" Good stuff.

It was followed by the sequel to the Taco Bell talking-lions ad. In this case, the sequel was better than the original -- it was funny, at least. But it's still talking lions and Taco Bell on safari. I dunno. The campaign just doesn't work for me.

The night editor says I'm being "way too literal," but I don't think so. I just want believability within the reality of the ad. Not talking animals for the sake of talking animals.

Is that too much to ask on the biggest advertising night of the year?

computer art (live super bowl blog)

The Coke ad they just played was, to use a word I've used already, obnoxious.

I hate commercials that use "cool" computer effects just for the sake of using "cool" computer effects. It makes them not cool, in my opinion. And there was so much flashy computer animation in that ad that the focus was completely lost: It spiraled so far out of control that the ending was just ... lame.

done with football (live super bowl blog)

There have been far too many network promos so far -- I don't have a problem with network promos in general, but they keep replaying the same ones, and I find that off-putting.

But I do like the one they just showed for the CBS Monday-night lineup: "No more football. No problem." My thoughts exactly!

Even though I don't watch CBS, I still always breathe a sigh of relief when a sports season comes to an end, because then the networks focus more on their programming than their sports stuff.

entertainment (live super bowl blog)

One thing can be said for The Artist Formerly Known as The Artist Formerly Known as Prince -- he puts on a great show. Compare this act with Billy Joel's national anthem ... if you can even remember Billy Joel singing the national anthem just a little while ago.

True, Billy Joel was singing just one song, one of the most difficult songs to sing -- but it's just no contest.

flashy and fabulous (live super bowl blog)

Halftime shows are always a little too flashy for me, and tonight's Prince performance is no exception.

But it's Prince, so it's excusable.

"He looks exactly the same as he did 25 years ago," one of our reporters just observed, and it's true. "How does he do it?" she asked.

Very skilled surgeons, I'd wager.

Oh, wait -- they just brought out the marching bands.

Prince and marching bands. What has the world come to?

golden oldie (live super bowl blog)

The Coke ad they just aired, the one with the elderly guy who tries a Coke and is jolted into asking, "What else haven't I done?" -- that's a good one. He runs with the bulls and gets a tattoo and calls an old sweetheart to say, "I've always loved you!"

One of our great sports guys came over to tell me that commercial's "an old one. That's about a year old."

Still good though.

hoo boy, i'm in love (live super bowl blog)

Okay. Sprint has, so far, won the Super Bowl ad war with their Sprint Mobile Broadband commercial parodying Viagra/Enzyte-type ads.

They showed a group of businesspeople, with one man sitting a little apart from the rest.

"You know the feeling. You just can't take care of business the way everybody else can. ... You may have Connectile Dysfunction."

The cure, of course, is Sprint Mobile Broadband, and I'm sold. That was the freshest, funniest commercial I've seen in a long time, and I am in love with the people who made it, whoever they are.

is your heart at risk? (live super bowl blog)

The Bud Light spot with everybody slapping everybody else -- it was well-done, at least, but I didn't think it as good as some of their other ads.

But the beatyourrisk.com commercial was a surprise! Clever and funny, not over- or under-produced, and an effective play on "heart attack." And why not use super heroes in a Super Bowl commercial? Cute.

jungle out there (live super bowl blog)

The careerbuilder.com commercial with the training seminar in the jungle wasn't bad. I loved the office-supply attack, especially the swinging water coolers. Very cute. And the tagline: "Don't just survive the work week." Nice.

As for the Chevy HHR ad, the actor in the vehicle said it best: "Tell me when it's over." I may use the word "obnoxious" a lot, but it's not without provocation.

kats and dogs (live super bowl blog)

The Budweiser ad with the little mutt dog was cute. It was kind of like that PetCo (or PetSmart, or whatever) ad with the little weiner dog and his favorite toy -- that one actually makes me cry. And in much the same way, the Bud ad strummed my heartstrings.

Ads with animals tend to get me every time. Unless they're CGI talking animals -- and that's my only criticism of the Budweiser commercial that just aired: the wink at the end. It was fake and cheesy and, worse, unnecessary.

But the dog was still cute.

lots of choices on TV (live super bowl blog)

I hate the GoDaddy.com commercials. They're obnoxious.

I've seen the video-game Coke ad before -- I think the last time I went to the movies at the Berkshire Mall -- but it's still a good one. The scruffy, tough protagonist wanders around a city, as in a video game, and does good, clinking his Coke bottle with characters who would, in an actual game, be vaporized. It's cute, and it's funny, and it's not a gratuitous use of special-effects animation.

Then we were treated to a CBS network promo: "There are lots of choices on TV ... but only one #1."

Eh, tonight could be the first time I've voluntarily tuned in to CBS in a year or more -- they're just not airing anything that interests me -- and hey, I'm only doing it because it's my job. So yeah, there are lots of choices on TV. Better choices than the shows on CBS.

man, they're good! (live super bowl blog)

Bud Light is on tonight! I absolutely loved the ESL class commercial. "In New York, you say, 'Gimme a Bud Light -- you gotta problem with that?' ... But if somebody asks you for a Bud Light, you say, 'No speak English!' "

Cute, self-contained, and it even had a funny little closing shot. "Bud Light." "Buud Light." "Bud Light."

It drives home the product and entertains. And it's intelligent!

no. just -- no. (live super bowl blog)

Snickers: "I think we just accidentally kissed."

"Quick -- do something manly."

And then they pull out some chest hair.

It gets a laugh, but I still don't get the set-up: How exactly did they end up accidentally kissing?


And you know, I don't think I've ever seen a shaving-product ad I've liked.

one happy ending (live super bowl blog)

Toyota Tundra: The "one happy ending" was the fact that the ad was over.

Fedex's "first moon office" spot was cute and fun.

But Bud Light's auction-caller wedding officiant was brilliant! Though maybe I'm only saying that because I'm planning my own wedding, and site rental is expensive in the Berkshires. Saving time on the ceremony could save us a lot of money ...

pretty nice (live super bowl blog)

Sierra Mist's karate-class commercial was all right, too.

"Are you registered for this class?"

I like that odd-man-out, overzealous Dwight-Schrute-y kind of character.

quickly ramping up (live super bowl blog)

I missed the beginning of the "paper scissors rock" commercial just now, but it was cute. Couldn't tell you which beer it was for, though.

I think the Doritos ad was the best of the block -- the graphics weren't to my taste, but it was kind of different. A little heavy on the slapstick for my taste, as well, but all in all it takes the title.

Blockbuster -- talking animals, eh. It's not new, and the mouse/computer mouse joke was old 10 years ago.

R is for "wrong choice" (live super bowl blog)

I like BIlly Joel. When I was in high school, his was one of the several cassette tapes I played to disintegration. He's a classic, a legend, an incredible talent.

But the Piano Man is nowhere near my first choice to sing the national anthem. Halftime performer? Definitely. The crowd would go crazy, and he'd do a great job.

"The Star-Spangled Banner," though, is not his song, and he proved that by going sour on the first line. Ouch.

super(?) monday (live super bowl blog)

Since the game is being aired on CBS, I am going to be subjected to promos for CBS programming all evening, aren't I?

They keep calling it "Super Monday," but so far I don't see anything super about the shows lined up. "Rules of Engagement" looks like just another doomed-to-fail sniping-of-the-sexes sitcom. Hooray.

trucks, schmucks (live super bowl blog)

What do all the following have in common?

A truck ad.

A jewelry ad.

A mountain biking-themed credit card ad.

A shoot-'em-up movie trailer. Fittingly, the movie is titled "Shooter."

And station promos.

Give up? They all just aired in the last commercial break, and I'm unimpressed by all of them. Especially the movie. I love film trailers, because I love films, but action-flick previews generally leave a bad taste in my mouth. Does the world really need another same-old action movie?

unsympathetic (live super bowl blog)

"Combos: What your mom would feed you. If your mom were a man."

I was offended by this ad at first -- I looked up from my desk to see a guy in drag, and a guy in drag is rarely a wise advertising choice. I mean, it's almost always meant to mock either ugly women or transvestism, and there are lots of other ways to be funny.

But I actually kind of liked the punch line. It tied everything up and even managed to make fun of sexism, in a way.

viva la band (live super bowl blog)

The Super Bowl really is the Super Bowl of marching band performances: dancers, stunt masters, drill teams and drumbeats -- precision switching and intricate choreography. It's dazzling, and almost hypnotic, but maybe I've been under the newsroom's fluorescent light bank too long.

I was in marching band for exactly two practices when I was in junior high school -- they needed cymbals players, and I had a persuasive friend. But I ended up sticking to the violin after I discovered I couldn't blame my mistakes on the instrument being out of tune.

what? (live super bowl blog)

Taco Bell on safari? Where are we supposed to think these people got their reheated fast food?

It's not a Super Bowl-specific commercial, so this is just a general gripe. I hate it when marketers go for "cute" -- like, say, talking lions -- at the expense of "believable." That's what makes it gimmicky, the opposite of clever.

Geico's cavemen, you might argue, don't exist ... but in the reality of the series of commercials, they do. The set-up was in the first caveman ad, and it was built upon in subsequent ads, so that now we don't need the setup; we can just enjoy the cavemen. That's what makes it fun.

But Taco Bell and the talking lions: For one thing, we don't have any idea where these people got their Taco Bell, so it's not believable. I mean, how long have they been carting their white paper bags around in the African heat?

For another thing -- well, I don't even mind the talking lions; it's not my taste, but that's okay. But what do lions have to do with pseudo-Mexican food? Maybe it's just me.

X'ed out (live super bowl blog)

Another truck ad. Is this what I have to look forward to this evening? Maybe that's why I don't watch football.

Oh, wait, no -- it's because I'm just not into the sport.

ya never know (live super bowl blog)

I kind of liked the GMC ad that just aired. It felt a little like the Ikea sequence from "Fight Club," with all the little gadgets and features changing before our eyes. Cute.

And the Sprint NFL mobile one was clever, even if using sports stars for commercials nearly always results in stilted delivery.

zzzzzzz (live super bowl blog)

The advertisers are still warming up, I think. Or getting their pep talks in the locker room.

Or maybe I just don't like truck ads.

The Coors Light ad with Coach Whoever was good, though. "We're going to have girls at our party. Should we talk about the playoffs?"

And that one was followed by the Geico cavemen! Now we're in the game!

zounds (live super bowl blog)

And here it is -- a low-budget, cheesy ad, this one for Towne TV in Rotterdam. They're having a "Super Sale" on TVs, it appears. Everything I hate in a commercial: poor lighting, poor production, poor delivery of lines. Ew.

And it's followed by another cheap one, I think for a lawyer. It was kind of difficult to hear.

And then there was something from Kanye West -- was it an ad? A music video? Perhaps both, maybe neither. But at least the production quality was better.

you can tell i don't watch sports (live super bowl blog)

State Farm apparently has football fever -- two football-themed ads in two consecutive commercial blocks. And the last ad just said so. "You'll get it too."

The Kay Jewelers, GMC, Norelco and Michelin commercials -- yawn.

When do the good ones start?

x-tra lame (live super bowl blog)

First ad break I've seen, and so far I'm disappointed.

These aren't special ads, not yet.

The State Farm ad with the guy at a football game trying to get the other spectators to do the wave with him ... kinda lame.

And the cholestorol ad? I've seen that a million times.

The Loch Ness Monster-attack commercial for the Toyota Tacoma was a good one, but the night editor tells me it's also an old one, so.

we're just getting started (live super bowl blog)

The remote control here in The Eagle newsroom is shaped like a golf bag. I'm not even sure where it came from, but it's probably been here as long as I have. It's very difficult to work, at least for my weak little hands, but I've managed to turn on the TV and wrangle the voume to a manageable level.

It's kind of hard to find a workable volume, actually, because a) the sports department has to be able to hear the game across the room; b) I have to be able to hear the ads in order to blog about them; and c) we all have to have enough quiet that we can work on producing a complete, accurate and attractive newspaper for tomorrow.

I haven't even seen any ads yet -- they're showing the pre-show analysis, which might as well be in Farsi, as far as I'm concerned.

February 02, 2007

viewer alert

Are you excited about the Super Bowl? Ready for the ultimate game of football? Looking forward to the drama of high-stakes competition and pure, unadulterated testosterone?

... Yeah, me neither. I'm not a football fan.

Luckily, Super Bowl Sunday is also the biggest night of the year for TV advertising. Join me Sunday starting at 4:30 p.m. for a live "Bowl blog," in which I'll review the best and worst ads of the evening from my vantage point in The Eagle newsroom. If you're lucky, I might even mention the halftime show.

February 01, 2007

uh, what were they thinking?

By now, everybody's heard about the bomb scare in Boston this week. The unidentified blinking boxes placed strategically around the city, near bridges and T stations, necessitating the activation of the Boston Bomb Squad, turned out to be just part of an advertising campaign for "Aqua Teen Hunger Force," a show on Cartoon Network.

Now, I hate most advertising. The McDonald's ads with the "ba-da-bup-bup-bah" nonsense, or the ones that claim processed food products are the best possible thing you could feed your children? Get them away from me. And those cheesy low-budget ads for, I don't know, car-window replacement or local ambulance chasers always make me want to pull my hair out. Oh, and the ones with the jingles that make no sense, or that rhyme "shine" with "time" and that sort of thing -- they annoy me to no end. Which is why it's a good thing I usually tape my shows and watch them later -- it erases the whole problem of awful ads.

It's also why I applaud innovative, well-produced (but not necessarily high-budget), clever ad campaigns. Geico is a perennial favorite: I was never crazy about their commercials with the gecko (except the one where he says, "It's pie and chips! For free!" because I love that line), but I always loved the fake-you-out ads they used to do. The ones that looked like ads for, say, a nature conservation organization, and then the voice-over would say, "But there is good news: You can save up to 15% on your car insurance by switching to Geico." Tricky, and funny, and a really great commercial.

The caveman campaign is notable as well: It started off as such a random, off-the-wall thing, like a little self-contained short film, and now I look forward to seeing new caveman commercials. I mean, if I have to sit through 10 minutes of ads for every 30 minutes of TV, I might as well get to see good ones.

So I'm all for thinking outside the box when it comes to marketing. And I can see why someone in a marketing class somewhere, or maybe in a challenge on "The Apprentice," might have thought it could be a good idea: They got exposure for the show on CNN and network news, and in every newspaper across the country. Countless numbers of people who otherwise never would have heard of "Aqua Teen Hunger Force" now know it's a show geared toward adults about talking food items. Or something like that. It sounds like a great guerilla marketing technique on paper.

But in practice?

Creating worry about terrorism in a society as fragile as ours these days? Causing streets and bridges and subway lines to be temporarily closed down? Think of the people who had to get to job interviews -- or even emergency rooms. Their lives were disrupted -- for a cartoon.

I wonder how long it'll be before Boston viewers see ads with some area lawyer under fluorescent light, reading, from a cue card, "Was your life ruined by the 'Aqua Teen' bomb scare? I can get you CASH!"